1963 Ford Thunderbird brochure
Open the complete free brochure (PDF)Original Ford publication; scan hosted by FordImages.
We represent the Ford Motor Company and Shelby American archives. For commercial image use, contact us about licensing. Images owned by The Henry Ford are available separately through the Benson Ford Research Center.
Explore the model year shown in this archive image through original Ford brochures, specifications and equipment literature.
These references describe the U.S. production model range. Published availability does not establish equipment fitted to the photographed car. Each entry is supported by three distinct Ford publication families.
Original Ford publication; scan hosted by FordImages.
FORD IMAGES
Archive SKU: 0401-7578
SKU:0401-7578 -
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A 1963 Ford Galaxie 500 XL hardtop and a 1963 Thunderbird parked on a lawn beside a bandstand, a uniformed brass band playing above them.
A tall colour frame shot from above in late golden light. In the foreground the Galaxie sits nose-right in pale metallic blue, seen from a high rear three-quarter angle that shows the roof, the flat rear deck, round tail lamps in a full-width panel and a yellow licence plate reading 014. Beyond it a rose-gold Thunderbird stands with a white roof, its long flanks and rear-quarter script catching the light, with two people in the cabin. At the upper left a white bandstand hung with red and white swags carries three musicians in red tunics, one with a tuba, and a couple in a green dress and a dark suit sits on the steps reading. A man in a suit stands on the grass between the cars, and dark trees close the background.
The Galaxie 500 XL was Ford's premium full-size car, introduced in 1962 on a 119-inch wheelbase at 209.9 inches long, and for 1963 the line gained a fastback two-door hardtop (Hemmings, Hagerty). The Thunderbird alongside it was by then a four-seat personal luxury car rather than the two-seater of the mid-1950s, and the pairing shows Ford's two different answers to the same buyer.
Because the picture is selling an evening, not a specification. The bandstand, the swags, the musicians and the couple with a programme build a small town summer scene, and the cars are placed as the things that brought people to it. Shooting from above was the only way to get both cars, the bandstand and the figures into one frame without any of them overlapping.
This 1963 Ford print suits Galaxie and Thunderbird owners, collectors of early 1960s period advertising photography, dining rooms, dens and hallways, and anyone who wants people and setting rather than a bare car. The warm evening light and the tall format make it a strong single hang. Choose framed print, stretched canvas, ChromaLuxe metal or Giclée.
This archival photograph is made available through Fordimages.com. Each image is digitally restored before printing and handcrafted to order.
Available as:
Made in the USA or Europe depending on your location.
About the Artwork
Artwork in this collection comes from the Ford Motor Company Archives, The Henry Ford Museum, the Carroll Shelby Archives, and the collections of acclaimed photographers and painters from around the world. Reproduction rights are reserved by the respective copyright owners.
Our framed prints feature a black, hand-stained solid wood frame with a white mat, museum-quality paper, archival inks, Acrylite glazing, and hanging hardware. The frame features a slim 0.8-inch face and projects 1.3 inches from the wall, creating a clean, contemporary shadow-box effect. Made in the USA or Europe, depending on your location.
Our stretched canvas prints are produced on acid-free, pH-neutral, and fade-resistant canvas. Each canvas is hand-glued to solid wood stretcher bars and stretched over 1.25-inch-thick pine bars. Mounting brackets are included. Made in the USA or Europe, depending on your location.
Our Giclée prints are produced using premium 200gsm semi-gloss paper and high-quality archival inks. Each print includes a white border around the perimeter.
For the 40 x 60 size, we use 250gsm museum-quality archival paper with an off-white, uncoated finish.
The listed size refers to the overall paper dimensions. The image is printed proportionally within the selected paper size. Made in the USA or Europe, depending on your location.
ChromaLuxe prints use a state-of-the-art coating process that infuses the image directly onto sheets of alloy metal. The result is photography with an exceptional combination of vibrancy, clarity, and durability.
Each print arrives ready to hang. An alloy subframe on the back allows the artwork to float away from the wall for a sleek, modern appearance. This is the finest-quality print we offer. Made in the USA.
All images are digitally restored before printing. Production location varies by product and destination. Shipping is calculated at checkout.
