1966 Sebring Race Gurney and Shelby 0001-4480

This official archive photograph captures Dan Gurney and Carroll Shelby together at Sebring in 1966, photographed at night in the pit lane. Gurney stands in white driving overalls holding his goggles while Shelby, in a leather jacket carrying a shelby american patch, talks beside him. Both men were central to Ford's mid-1960s racing effort, and Gurney would win Le Mans outright for Ford in 1967.

What Does This Photograph Show?

A quiet, unposed moment between two of the most significant figures in American motorsport. Gurney looks down at the goggles in his hands, still in his driving suit; Shelby faces him mid-sentence. The shelby american patch on Shelby's jacket is legible at chest height.

Behind them an illuminated timing board shows a row of digits and a Shell sign glows above the pit buildings, placing the photograph in the small hours of an endurance race rather than in daylight paddock calm.

Why Are Gurney and Shelby Photographed Together?

Carroll Shelby's Shelby-American operation ran Ford's front-line sports car effort in the mid-1960s, preparing Cobras, Daytona Coupes and later the GT40 Mk II and Mk IV. Dan Gurney was one of the drivers Ford relied on across that programme.

The partnership reached its peak in 1967, when Gurney and A.J. Foyt won Le Mans outright in the Mk IV — the victory at which Gurney sprayed champagne from the podium and created a tradition that outlived the cars.

Why Does Sebring Matter in Ford History?

Context for this image:

• Sebring's 12-hour race was the major American endurance event of the period
• Ford used it as a full-distance test before Le Mans each spring
• Shelby-American prepared Ford's leading entries through the mid-1960s
• The Mk IV won Sebring on its debut in 1967
• Night running made Sebring a genuine test of lights, brakes and driver endurance

Who Is This Print For?

This Gurney and Shelby print appeals to Carroll Shelby collectors, Dan Gurney followers, Cobra and GT40 enthusiasts, restoration shops, offices and garages. As vintage Ford racing wall art a portrait of the people behind the cars often carries more weight than the cars themselves. Choose framed, canvas, metal or Giclée formats for a home office, study, museum display or Ford wall decor programme.

Photograph Details

• Event: 12 Hours of Sebring, pit lane at night
• Date: 1966
• Location: Sebring, Florida
• Subjects: Dan Gurney and Carroll Shelby
• Archive reference: 0001-4480

This archival photograph is made available through Fordimages.com, the official Ford archive imagery licensee operated by Richard Weedn LLC. Each image is digitally restored before printing and handcrafted to order.

Available as:

• Framed Print — museum-quality paper, archival inks, Acrylite glazing, hanging hardware included
• Stretched Canvas — hand-stretched over 1.25-inch pine bars, heavy cotton poly matte finish
• ChromaLuxe Metal Print — image infused directly onto sheets of alloy metal for maximum vibrancy and durability
• Giclée Art Print — 260gsm satin finish paper, finest archival inks, white border

Made in the USA or Europe depending on your location.

About the Artwork

Artwork in this collection comes from the Ford Motor Company Archives, The Henry Ford Museum, the Carroll Shelby Archives, and the collections of acclaimed photographers and painters from around the world. Reproduction rights are reserved by the respective copyright owners.

Our framed prints feature a black, hand-stained solid wood frame with a white mat, museum-quality paper, archival inks, Acrylite glazing, and hanging hardware. The frame features a slim 0.8-inch face and projects 1.3 inches from the wall, creating a clean, contemporary shadow-box effect. Made in the USA or Europe, depending on your location.

Our stretched canvas prints are produced on acid-free, pH-neutral, and fade-resistant canvas. Each canvas is hand-glued to solid wood stretcher bars and stretched over 1.25-inch-thick pine bars. Mounting brackets are included. Made in the USA or Europe, depending on your location.

Our Giclée prints are produced using premium 200gsm semi-gloss paper and high-quality archival inks. Each print includes a white border around the perimeter.

For the 40 x 60 size, we use 250gsm museum-quality archival paper with an off-white, uncoated finish.

The listed size refers to the overall paper dimensions. The image is printed proportionally within the selected paper size. Made in the USA or Europe, depending on your location.

ChromaLuxe prints use a state-of-the-art coating process that infuses the image directly onto sheets of alloy metal. The result is photography with an exceptional combination of vibrancy, clarity, and durability.

Each print arrives ready to hang. An alloy subframe on the back allows the artwork to float away from the wall for a sleek, modern appearance. This is the finest-quality print we offer. Made in the USA.

All images are digitally restored before printing. Production location varies by product and destination. Shipping is calculated at checkout.